Adobe released Creative Cloud in a move towards becoming more of a software-as-a-service provider. If you’re considering a shift to the cloud as well, here’s what you need to know.
Don't have £1,900/$2,200 for a Wacom Cintiq Pro 24? Here are six much less expensive pen display options for drawing, sketching and painting.
We feature some of the best free and paid for art and design portfolio websites out there.
As predicted in the autumn, the new Pantone Colour of the Year is a 'life-affirming shade of orange with a golden undertone'. But not THAT shade of orange.
Make roughing and planning your animations a whole lot easier by using these storyboarding apps.
Image Engine VFX supervisor Robin Hackl, who's worked on Deadpool and The X-Files, discusses what the influx of new television work means for VFX.
NY-based design studio ODD NY explains how it created animations to help make Russia's sophisticated plot easy to understand.
Find out 2018’s biggest trends across graphic, data, digital and UX design, creative direction, branding, illustration, VFX and VR.
Territory Studio designs graphics and UIs for Hollywood's biggest sci-fi films. Here its key creatives give us an exclusive an insight into its working processes and the secrets behind its stunning work on Blade Runner 2049 and more.
How to make quality videos that can be used across multiple platforms, with a tight turnaround.
The artist and photographer tells us about painting portraits in the back of a car, and what its like to see your work smashed during a movie. [Note: no spoilers]
We look back over the IBC 2017 show in Amsterdam – where groundbreaking new tech for producing motion media will brings us more realistic VR and AR, purposefully less realistic animation and a (thankfully virtual) exploding chicken.
The director – who also created titles for Westworld, The Night Manager and True Detective – discusses what makes a truly great TV title sequence.
Game of Thrones' VFX supervisor Thomas Schelesny from Image Engine discusses working under legendary creature creator Phil Tippett on films like Starship Troopers – and where we're at with VFX in 2017.
Territory explains how it created hundreds of 3D floating elements in the Japanese city of Niihama for the film, including hologlobes, 3D advertising and hologram conferences.
Eight creative agencies discuss the practical steps they are taking to improve gender, ethnic and socio-economic diversity to find out what methods are having an impact, and what needs changing.
John Mathieson, DoP on the new, very different X-Men film Logan also discusses how the film's look was partially inspired by painter Georgia O'Keeffe.
Whether you want to create high-end graphics and art, edit 4K video or motion graphics, or create VR experiences – this is the compact PC you want on your desk.
We've tested the 6 most powerful and stylish laptops (and laptop/tablet hybrids) for artists and designers to find the perfect one for you.
We spent some more time trying out the HoloLens to find out what you could create for it – and what you could create using it.
